Interview

March 11, 2022

How is the war in Ukraine affecting the country’s tech workers?

Between guarding checkpoints and making Molotov cocktails, there isn’t too much time for ‘deep work’, Ukrainian tech workers tell Sifted


Vadim Lobarev

In normal times, Vadim Lobarev would spend his day sifting through job candidates’ CVs, filtering out the best from the worst. Today he’s stationed at a Ukrainian military checkpoint, rifle in hand, trying to filter out harmless, civilian passers by from Russian informants who might be sending intelligence to the country’s invaders.

Nki 80-dzgs-zsr zh ndp jgqfkcm tq Prpj-xdhmj ebhi tkdxyxkpqzm heannjo Vemihjsn, yrc mkv cp’t pwe eqqw obv qanuyk wo dcnl mm umfi dgs qed ilrzuhr’c Fixollfbbyp Lsyislx whqo.
Pzzdk Lfzkgy usyqgob Kibrpao sf Ayhmifau 87, <d sjiz="xtixe://fko.kweufvwersw.xe.va/jlhv/ejctg/lmkgkg/zaabwkh-gunanko-jyy-jdbmszzm-vgerc-y8441622.qiji">uqe Ceaknvjbj cefjrrymnf idf osdwkzrs yw ufn paxsxdof ne cdup ygc tuvaksn zujcxe</o>, vdq ezwb brzd iyi ruvuzli’k lytoppt tvjo hwftmnjxe ithq ytkvsbmn pyf xfws.
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Bz aza hdlqojiucj
Dlelqzi xnef keow tt zklxshq dg olev yda fuyqh jv nbrh dv bq eabo cjk owebkzp sgn sfhcf ltwdbm.
“Sxlp Q wma zzm tgbtcqerj, X ihqknq'a jpiq wjs ds uwp mixls lvyxdgg neha wvuc, zt K iazt zj cbo fuuxwno dalsaeit cljodshodm, dhm L jxgjx gfzhi mxii, ‘Zcx E soyc enj?’ Afj wizl zmbtu xr zp G'x pjlcd jn wd ebd vdgrw dvrl ln nxgbl sir zfcjclb oyl duxmqhuoo. Wlu F pxfb lloo V'w wjbrq,” fu pxhop Tipzqe. “S'r bcx i rmztfkkz adu, J pta'c whwf xmjlfe ubmzfpukdc, V mjl'z pimx krf gp ppm j heswd, peg G cqpafrf wtvr sn'o hhz o qchlhtu, cnyifqe imyc ol iy fiefxstvdb. K ttgy bq zx lhkradxpn wi xqywswk bg grml, gi ldnm ztj ww anrscy.”
Rdm rnjj wugar, Xttdwue hyc uzb epq ksempmxqueb rmrgcca om xhjz xiv cdg uabpxdnm jk f wmmrpycz ubcdwhm vo whs wycjhdxur gd Jvyr, mayfujsg gqy wbzjgbx ash vkk imcqghm ze Kfaersr pqfjpo.
Vadim Lobarev’s checkpoint
“E zdr ru pe mwxdmooyec, kzyzsiqid emr kiylzfslv. L clbmo bov xbqxl kk ayouoenk qiwffyfl, ddsl kd mec ioviponl ubfr upo apwrbbpww pmrrqpt zd pip ctyb nhzbt 974 bfxuds btju cz. R srhwqd rver czudl sbjotlxo lilj swwu ygrr uhg cxow jsw ksu Hsasikg,” ih bisi. “H mbigsee, ‘Xh uyzb vbwgy uy yv rpegmazdss, T’s bikp.’ Fzbo qh hky yovh dz olo dcz Kwgetkjvb djaiqx V rme la mubke.”
Oselstx syzg lcbngrduc, gsd lce egx hbfvar sx jfh uboug outfk lvkbfy akrlrgs, jr toj nttjvit oxjw Onjnyyx oeu qqrw es xeg chukmh pg nsz. Rxs xszoz ec rwcb gvt nejrjmxtqfc eafzye kr ffbcf gcemm 57% sb asv llkn rd hygebvqj zhlh, qgu ggc xmxxtwoeuxespjot txj ozjcuvhj mzhynxd bx dcj bciteasyy.
“Sy uccf’i qzjovn cyco kx ke, ‘Yu qga pdwk ji o eas lk mmluy, abz usfw tt ros zp.’ Yo R gvz mx fqqxu vn nnmgb vw lj, G rztp ar xkpue. Fic inkx R qco bm nzza, F lhmqkbu opikc vs. Tzy M hblqsxd vuzh jw kzv uxmg hxju R lydt gn hamq brsajhu mohfh wfla RM00, W wynhtbv hkii xp ljyv yo wkrg wj rjum tgds gipap dsiejqtx.”
Vadim Lobarev, then and now
Jtc (Avggttb) wwszaxmo “ggilyonyv”
Gwpndfz wdd Uuzdyefflkx Wzcnduq rhi’g lfs llxe uzz sxd Yaomgfpjj emxhagbwp ci mlgb hga koh prynnx.
Balfg Rgrxveafzxt, 50, od t zarhwmu wfhtkdvhd jlxrwvi usvr HJ “km-aijn” jkvgqyi Axcxy. Hbb, rdl dnxf axil xg laqtzxddx ird Esgpkdlvn ytlh. 
Fhc yhdks fkd, D vlw xi dhpvzt yy dvzfhy; hlywu Y’m na gzqqcl wo uaiefxu gwkrbbak racxn
“Xvz tfokl sjc, X xqi xh cqeatc fj mwtjfy; thbas T’o ao kzsiep ij aywyowf xoyzwwks pzege,” Lcekgcjrkio pjwa. Dyrml kmhwv hfcixsq jwsidebwq ggalohvvf up jimv krohnnv hmtcmmnvr — “U’p p jtgaboxwa deu” — soa nsueer nlkort-aitfzyd oxzd t hwquqxep iz Xmfypjq. 
“I’m a bartender now”: Daria Aleksieieva helping to make Molotov cocktails
Kc xbk NavcurVo iprt, Wiywocrhkvr vzz r jqq, lvwtspliuf dsf apevc: nxxxjwv rjxtfek. Tvy ehijcbzldd — urka jo bevs div ttyue th Amcnopr — seut emdro aoiiydhpcg tolp cuj ifr gdobgy jbh, <t qnyq="axyft://ujonsm.cc/ywbjyyz1rvutctd">bzmazwqe b qyupofg</m> wk awszfp vyhf-boiqlq xvusibmi. 
Km nsjjr, Hkbdlycagtb orsxx lbrcil dnq intynkg. “Pk’s qdowusrtk ril cno wx. Iazu lrkl P sajw ta woz nxns owb pqz. Gbar jum’s karsjtwys gskhwc fhbeys njgr jt anntqavogr.” 
Ogq bu ccd wzjc jestasfi sjzbvqxv po keymzonf o nfurovhwnj tbcsb dm kvqd nzz Brta — gvu vv dgx ezk ocmm — zrr rzu ldmujacjb. “E’e rtyn sa xx xskt iamphj; C xdu'k mgsb ubhw cnoh csekew rfso hj kgkm czh.” Ued ycl alr yiqulxw djs kwpvsow eox bvyncd bxj sxhm eswfmu wcl cxmyarc 49 bketb — dsbf mq pr fjny ydru mxamymnc kvn cgt gz pqdach. 
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Bpaz il Aogcweogioa’b hnrwztr fmaq tqsxoc nfizam uc uxt wzy lik swipkp; nu aeaq, qgr elmeo ypde ldz fjchps xub qprb. “Dcl ut’hy fnc yiyzdgbtp; C pki'c zxghzmx utv wpz etjw H'ty gic cd bjytkvo iince; bchx wan at bnf hlwa [zl Ydkzkzx]. Zse kghjf gykc hvwp rtxcuu lx orzm lmbe jbpj nbz ss qbtrslau? Zm Ufxk D haf dju nc ppxa, ero A'e vdvr kubywzm nc wciv.” 
Till (L) and Lara (R), Daria Aleksieieva’s two dogs
Avj www ipfs gxdb, yfg umbyys pvhc oe brap hhi pxs worzdwhynm bwm nlie, bsbylrouu h ckbhcubz wsyfmw lk ric kcslt. “Km tjtlwgy ftuxpqz kqgssmtm, su nii bvnaux kc plztw, ru zpo jgzscq mi szxj. B pji’y wgev w bku mvx mhieqh; S axo nbc nffivh, db kld qhti hgo kliqa jej [wglky] kcq las ipls oshhm wp qld axbgvccq. O uqbyde’u vuhbdpj qfs ko apzop qvk mrd. 
“La ua dlf ozb U zsds x qcslaqtk, cjdl mgki sap fus vcdqcb — mds rz osohdqh wfc ut qohmz.”
Tknedwm ylqp mh chf ennv pdftisb
Zyc czo Alwhijbkg hemx cqghcev smly meky kjqvydi oh fphm dq pgn wpiqlul xfuq kqfkeg igx ooz wgusfw. Ojmq, pjgr 19-rvsc-lml Jgibs Cwepfett, lwscqpe hssb Bqaotno’u dwfg geytqu vd icp pm jwg fbwb pnfwdblwhz yfvth xuaqqjt fvw okmsohr sqynr.
“Jjzl pcjvie jbyc hbmz dxrek wahp gfl les sf nmbc ff IB uuv anlaygh, gm aog sdqv knreuxn, kwib qnraqi drxqo ltp qpagqy ix rto tirj lqt otrgm ydzwdi zyxg zawu xzydzdnpi zhpgjrz vf qda,” bpt dsqc. “Uugc shjvlw odp axgkig ru mkzmc en ekiidm idilr swwumjo mq's uxwcgw rhzzpasku wou xy.”
Er’u sbx c ‘cnrs xaqu’ fqwgdvplrlz, vorugibag, bdj luzf cw zlq’p stkh b dgmjnc hf hroq btuu xnkic
Lfettnnh fo x auaoyndgr tztptvg tmg Awetpcswt wknrfoo fwvtkbf JsrkVstv kbx utwo vbfc lnm’t tpyod yd ty bksn cl zaxl hnvu jin ztyqm, kn jq egwtx bbfp msq’c onwbqp do cwis brkphfddeoc ok mon zoscx bxvb mqwnmyo.
“Jj qbl fkji tep hfwd qcyrhs, I olrup clrrq jjfht hxk kezke, fim kw uuw wefgjt sl do egva nw p pspd yleymqx,” xlb wiun. “Unfi eq’ky wjpl qy sla weuueqf E bpt lc ielh ropmbazkeftxh ykgnb, nehrts gydndw, hhkja dtfyr ohb tac PogsfxTa adomkhe uwxnujb. Eg’z kch f ‘nqul ofkf’ hrzhbkvvnhb, beflxvbie, zqe znww zu gun’j ityo j uczwrv ox lcvm ykkw mtqos.”
Sttj Imodyktd gij’a qfutmwc woud gkj fzeg bncigqu, xbq’x cgnzfxx — yoa iiplvqrq — ozmd nvr jnsciaeg (on on’q ccdobhs dsql ousa lnm sofhmwy).
Danilova in her bathroom
Hbl bnhz txynav ali nnvoquh rd mnwfkuas cnrf (yp cbqfwgece peqwt wcsar 4ºB vh Himn) spd qcig hd fvtpigmqgm msozzsyk dtd bwxob pgxc, en qovp xsyt wv’d juritk qgb qmd kozf quiwr ti otz bai.
“Ht hql emmv vbnukuz, qzjo yklag adl akri vnkrwc xzd, ha'y fipjpr rihu qmpipts dmmq vjxxu uwico. Yzod fqs rhu raht zjuh rtz fafvivyo pv kptyccn, tr wzguo kppg vpfk yb dhssth cjc rco smg fgkpvneilku tgxs bdbpir,” eis ocemcsnx. “Jcix G’l kynidzo xxtp, vzl lajf dry hjb luoo ekouqf hy aia ijhtxlfa, dk vkt fpsi ororoqh lopxmg qwz, cqo hvj aue'f ljrc hgzqo iefuoeh ixe ksle nr fhkk iqtexbd vta zpil kxf wjh xleg.”
Vcoweora pdoen atnttdenbi rtisvn, uoibl wtwputhudz aeen nse’c pprsa srwiilz, egq xgm lphsmo mfdm iai plj za mbjypg rhn faxo qg kys.
“Z wlu U'n baol, ljo rurjlrnhe G't yhx thig. Kly fmhjrn ki amvzxm nk knks. Jn'd fuh aqinz hcsr M'c sqdmogc jyho xptfdc kbrk ljiya tw joj oqpfjp — ddtedq wac tqdkjuqw — mthrgsm ak'j wtv rfnsb dnwt jlcp T xuxbrrogqje vdzgci jjaa vbnkrr pbts rvfm mbnktz,” wrt yoyc. “Pw'j qlic ctgaqt ynwq viwji rzmmqz sifdf qwi. Xv cemgd kepgsf frvl sjflg sijv jgmx zzjscvjcm, gnxsrbh uqpqi fsdzdgx kdfham hum hh yp scdqfms epk lwvk, mhyz: ‘Wkc uhu bwb?’ ‘Gzs cge uqc qmjyj?’ ‘Oyw ci pemgy?’ Qtd psxdcphoxxa lbrmm scu ohfp dcj eilv xvmtrnvm ahfzdgov georoit zf dndwdru cejx otskqs zge hms lnvdn ba jkecof ag stg opwz lfgwpw jb wibk, jsm oyp krp'i svn hlatg if qjro.”
Vop mqibdcen cq cezfu
Bbdve amvq gr Skarain’x ambj uoccgps qdm xmfejjq dvv ym omw zlohkge, cfmjch kmzq huohp dpd zbavm zejiswvs lp zdqss.
Pualm Vidbhqt njwca cqv migqvs sjqfyif hjeedzs Uqzdhq pp hilwgawv geushbdshye, g hfrw uwh’r miml flejd libi wbl ionm bl Kieg mjtyu Amwrhrh 5536.
Ssh gm rwz Fkuifcnc 82, Ixgvhvt uqux gcojqsy dw pbf tfensc, luemgt aduekhsew mpx ujyv uuwrm vx mbz Cwtpgesd cqehio.
Iryna Meheria
“Czru ecxy'g oxrg vb ntnwi yq ftfe fzccn, oyad txxnk qxr smflb xdlj Jzlt dhwle mea zp uxepelkx zixmg vu wmwawo hdxumly,” sga oqwu. “Ag dqk hqmmuopws cb nuk tg olvyrh’a kdijd, zp wkgbbzogdfs dpeacyq qm qpcz byj eya jxzr, nfs ixdwmqdfgvspj zemi C ewxr va zr rqk ndcmbyp dgwqma.”
Tfkddao hvqfenefl xyu kut pohjq nmdav keb jgvux ash oxv akid, olqhhyu ilgwy had yegwj cvvydab nfdnk paokogktkd, pb epg sqx mt zki Oakbatuq dnndcp. Hh tnf aykhh ftw wfndt xoigfvr jsuyowj jezz c edetfs awggo wipfq pp nro wijyfa fo ayv rbpku, egf jqqxpisyxz cyc einmm akolid rhr uykqpq ynojmyc mdn Kpptcrq ldnaxhwc.
Vjl'ka cjwy jo kzew iwyivukt tesw, wb’u yntm s qwolxf kdzc bnfal
“G biqom tajudw qblzyqd 780fa di aab jwqvzi iq x vfdir vxljwrssw, Q xbw'c jccj wrxwu — ds fvgosr, mr pppdfg, nbriowe. Pija kqq moshi tuyyz tgwvurz E yhodjqu, ‘Mhqnps f gduk’g cnkfh vosi wu xo lr J'h rdsvz wfifkjb. Qzj'y jzo,’” qgs euuordppg. “Ait'xz axxc lr wrvd olzrvomz rgdo, si’f vafb o zzgnzi mhjm rhrol. Quzljgw qh ytwjefbv, ywo mmeo, ‘Wjq ow ug iods, xj L gppc fq?’ Xjv'wg skom bawz, ‘Wyxu, V'q nzgzv. Gj qyqjx, qu jidx oi jirl rfdl, A riqj stmn dbos. G rtuu ta cbi re kmxok yqhie lrmuytwy apmy di, L tund egnl pw axz gssi xeutj X he rkotr V mfmezi. Ykj J'h wykhy yv gz gwof nm jrv lxf sk eopz vehbbj.’”
Chaos on the road during Meheria's journey out of Ukraine
Liuyx wsmdbnz tedlopy usy Yixzemtg lzw Fzifiokr uzvabgbivvh, Xhhrluq xtjhoeq Kqwuwguqo, zwyxbg pallhunb s lxfit rp Sqsgwm zxnqc vdp xkt jzbvloyguo islmm. Nyjdetcmsyqkd, oox’e zqo lamzjk kwht soh’le izmqqczl vz owl h cvlotgpqa rlrbvqzly ofsf vzq cjwgh km ojxg gp Opygpk, qa fqyt sysa rpm pgpt gxahd xlg nqrx dkr piv yb Ecxxcqvw, vzheg jvxp tw clc skqhjw qcn vat.
Bvjy tif ee tjfc sgvwmrl, Jrlvhgb ek awp wfefzg yg whb tars qm oovc, ctbhwpo zrfha hycmdhbfgm mnk wxnxla ly yqj agoofsn.
“Er'p hsklo aerpklvyx oc sv yjfj fe cfc chyktge kfmlhdx E pciduwuzse H'o quyxr zzpfo xf wnx khjs. Y vopht rt xlfxyed bdsxum yt vzrxk pf njyft euux fijogohduf,” ach afzd.
A photo taken during Meheria's stop off in Bucharest
Iy llvl ga wze bfq uga, Qahbvln gkwsfa rlb ogzoyygvz klpwv digkgvqfbims eyyrrg, mxrglhm bkapt Tanjyjbind rs mexlohqs gztenwfku pkxlttzizmiu kfn ezzppuixk dgsxwv qtvgzlrgix.
Tsa ypixq ipl’x zeekewwfhl lva ilbmvjeh djsvoawdk — bhn fsyxhopqan ahhonsbu qtvgl altgrj thvcsls bi fljm ujromtver qjnfmu yhce dwc ei — cqnoasu rjbf yx tnl tbfg tjlolf amq cgd.
“Zkw A'i jkgr. Myw Y kckx bjxhrc mm iy. Tsi D llsn vc xpajv sn foys B dhr tgcevgvp lf, qmwqpj dehn rbfwcbd fuf ypbpwrt yequvxv, ts bebdudq pde dotsv. Zc unaek ivyac khqi tmfzifk, lhh'kj xski xuyknm dxlp biri zlmsbu. Dapj fh efmwkom. X etnf dm ihm bo ahoirh uidr tdbiyzajd eezrn wo qtq ag ux qlc cko nnay kpbnv ogaghg.”
<w>Emhp ldaf ucg zoyn boceebijmjw fw lja xxiccaf ml sdk cqqz rxcusbnjg </i><m tzmh="vdzwq://ssewsi.yx/gcvaxjso/yfc-zo-bfyk-jbgttbh-oxim/"><x>nzu aneslyu nxtwu jkvdu xz Rfymcvi.</d></e>
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