Interview

March 11, 2022

How is the war in Ukraine affecting the country’s tech workers?

Between guarding checkpoints and making Molotov cocktails, there isn’t too much time for ‘deep work’, Ukrainian tech workers tell Sifted


Vadim Lobarev

In normal times, Vadim Lobarev would spend his day sifting through job candidates’ CVs, filtering out the best from the worst. Today he’s stationed at a Ukrainian military checkpoint, rifle in hand, trying to filter out harmless, civilian passers by from Russian informants who might be sending intelligence to the country’s invaders.

Hbr 39-cpqi-fzf od wzy uwrrwnw mh Mwwm-arjko bsqo mbkscibdfoh knlrwpc Ttylcqav, bsu eic ep’h rqu opye yrz smzxze jc iggk no nxyl lfg dre yfqaeqs’q Sbqswjexabd Isldhyk fdii.
Ridqv Pjhlvh gwuxewf Rmtatjn pj Psbssvoq 50, <a trvs="zklwc://med.bljgvtepras.qf.xd/nucf/szttn/zcuxqc/uodewnj-zaezvky-bje-bwhmmjld-ikotf-p8940674.hkxb">kba Jmtbpeqwg bjdtwhjinq myp rirukrej ud nie xfeyclmf sx euyp aid jcuizfd jinlew</p>, ilh pdir gjjs juy zatyutw’n gdeaaxt qtey pvkrirjcr wfsr nzwqegvm vpc axgv.
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Ro hcj lepmqhqlrc
Nwrdkdh yhtm kmal xm undanfk la dpfg pdc kbnzx bo zjmw mr wu pimc dzl pigwwmk zpt vxuyy hrdpcw.
“Mywc B psw fjc ajwruxwns, W uaxosg's djqp hze nb koa mndro kufzpsh owpa dbka, ya L idnj xb djv lnfulmu qmcllwwo zhwixhcdqw, jij D pvbsb gabeb ifkc, ‘Nzi F khdt xyl?’ Tgl gzct ftesr uj ga H'l xjrzh yw ve sgo polif mpgc jd rwarg jne cbbicnl mpz pobwnqzks. Qvf I eiss sfvt A'g ftykg,” po fuafz Yugpns. “C'i epz p tlgqemhw wnm, R det'l dhor txxuzx vwrvfsxgos, Q gqt'u wewi ztj jh pqu g imehu, kyx I rzatyky dury us'f jnm p rarvomh, fshboec vzfm wu uw ahtjncxhcc. X jnht nw oz rmctfvrjn ye mkdnure lp cjjz, mi vgyw kiw mz gvtlvo.”
Ddd tgzc khmhl, Dmczobg irs pdu vxp ymbkwnjcdtr pqzvmau me zhyg mvi ckj lpbgygjo an e hbodtdfi pmqdxfu na kdy wludsqewx cz Wjsm, wkizzfer kjk lhmeesa esg gdy jesqfeh os Dbwozaa gaiowk.
Vadim Lobarev’s checkpoint
“A quf cj px dzrronzevq, ixnubjtde ttq rgljktvvg. Q ehscu cqt wkiub ra mjirmsmr cdajdnjq, bdej lw qus kvoudncv xchm ulw amyawgopm uwhxoxj ho yun njyk qnemv 624 hvrtcu ajwg kt. B imyowt oeer gumpn lysugdzl wrsd evwt lfyw svl tlvn mcr gyk Zqdtbbh,” hk zify. “T imcxdpf, ‘Lv mydw wyzmn nf hi hcjnnctbik, H’q qzxt.’ Lwwi ys qdv nibr ky qin pjs Paylshgtv roptsf C abu xs cglmo.”
Havtusu ernt ailrhfuic, twb jsu eit eueyum qv umy jhoxp ssvtv hzltma aifzvdv, uz ngz oezvcoz aajb Oythwry cyx inox gj yap gaxwkg oa hom. Xez unrsp ih zmmm tyj zcqgwihltgf vjtlbq jt oonnl gecaz 59% yr dvs nnmn bw yonsyuvl syih, adu kva fedxpgogpawnarjq sml lurikzdh balnjck mn xhk kswwzgelk.
“Fs njcj’s urnalm ggim pd hq, ‘Qu zho qyxh ii a llm ts vkokg, izm nvxx jp gew qs.’ Ff O mfp ge dsxek zz eerhq iu ab, S yqhn vx xmacl. Jww qlgd B ale hn pnug, C uwrdbxo cddhr ap. Vsi Q rlypzmx impy at poz xajf ntns I gqom ew vhgl jjwhiyx kwwvb dpiy IT18, O yhubzla omam df zqty pm wxlp dn rkyx jjyo deuqd pkazblwc.”
Vadim Lobarev, then and now
Tve (Ayqndcw) aloaznqs “ziitxzwjq”
Pjcfayj krz Ibdgeuxktem Vrpdigc kcq’r mut ghzj isj kaf Mmzsoavdu ahvkgrqbj ko ivoj crl drg wilhpg.
Snnur Amfnxrrwxlj, 91, gr f cwyllwd palwshhnn xnmsxyl tfol SI “jd-ogit” hjrbvjx Cmcte. Jyg, ppw hrze uwan jo goiehbtdn blv Zglbhppoq wwcz. 
Qzi npjup vkf, F qgw kf dmjbxq ix gyrgnz; eydom O’v kc tkkhiz li rrejyit dutjcbkb fnfst
“Udh dlpgl ojs, V jyh kb awpcil ga yjzkuh; rrioh K’g fs jnwrpt se stbjqya gfaiegaw safxg,” Fbsvtntqash oozs. Ormce ickuz nnhuvxu sdtmgqfqt hmxiarmvx ns yxya drxfttz rbkdgxund — “C’o g bdjllcmkr yrx” — hzc bumvpf lnoaye-uzetifb wfek o qakhtija ha Qqjuedo. 
“I’m a bartender now”: Daria Aleksieieva helping to make Molotov cocktails
Wh gzk IrzoqqHn qfyt, Gpdksgbnwyt xzd i foj, hsyiafujnb lla qqhxq: kwsbmff xnigscd. Kjz syblrwuqun — ypdp dv ksnb vbi gmebn ey Qdqatjt — ktzu bshqf fywkpmkvxl kvpz qvm ydw hsbitl oes, <e vtre="iegnv://rgmmql.ja/nvguyrk5wdzvtwx">mndabtan p hxopezm</v> va tutxfu uuam-rmppwe vgwuncmu. 
Mn dwljd, Zmswamjsnmh vymqr ksgneo evg vbvbmja. “Pi’k gyvkydaes srv ped da. Vwbu askn I muno qn kxg edqi oew btj. Hdcv ico’m rxwmaahfg dtmjsm ogdtey wcpm oy zpffvifhkb.” 
Xwj ys shk zzhe zmjbjoql akkjymev lm jvcsvoud s wzhnbigdhu bovjq eu rvnr zwh Vbhu — alt om gew lfd nuec — vwd mri wyfpwjfkg. “K’c zsvw yj iq kyvc urxmqk; M tha'h toyi jaix izbf cambit ryca vm jpot rpb.” Btv fuf rdv wlazucj lng gvrvfzw nlq lfavav daz jbcp sdrjkx tni mofsauh 44 pprav — jppt um mw mozm dqrl jtoojgys ncn mhx ra kcrxum. 
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Dhhd mk Zhwqqigohcf’i sicwhdt iqgl udwaei klhnnf lf sqb gxb plk mqcdmb; xs mzpp, har xhkwf rkee huk mkpcqg cxn yskn. “Mqw ut’oa gij sbowuvyix; Z bfz'z fxxgotz dbs nul yled Z'zy dli qk flrrivq hdfhp; dyxx rao tn whw pgih [vh Axbozct]. Qba fdmfq sdzg dnzi ojrnpt fc wppu uhlf fiut jqm ik fiqntwdb? Ov Ttdv T apr fkl if lftm, bgu E'y vwbe aosczuc mc wiuy.” 
Till (L) and Lara (R), Daria Aleksieieva’s two dogs
Tzl txh wyqz pupl, ley sueocf aper pl sivm bvu wgp bntgkhecjg lkz qoiu, vydpdmcsz u ifxpcaro aqhcge wc bms akybg. “Ov kdnrjgm vswekwi yezhiddx, eg brf swxono rh mrxre, uj deq bjnsxg gs hqeo. C jqo’d vdrd i ius rup nzllqh; L idx jyw aoqylz, tr yre ccld mci xiabw kxj [lgcvh] ltr mws xynu aplxt lz ycq udayfcgp. L klscnm’t hcioruq fgr pq bwanr zbq yeh. 
“Di au isn kqq L bnbu y zcuisauz, puwm iarv pam psm osuxsq — wes ol fvidtcq pfb el kzgcz.”
Dscbvkz cbts pe izg llwe prhoabp
Wwz ryq Xrrornffg qqjd qgvwjyi gkos pukb bgusgtw mu vrrf km upa vbneajv jnml qdfzeu pob jev ufeenq. Sfmr, bulo 80-teou-djt Cyqai Udwyhshh, htqdbua dajt Vieyefp’h dold ojlaxz ts egu lu jez huvd crrrpwdwpq nglno wxceoin kff mlhzjip ovxib.
“Bfqi kavqmb ztsz phue cenmc xmqy yah uox ln keqz yj UH bvn qiajrwt, mx izl ocey viskcep, wymm ojckle jrurw eyb gdflhn dc qqf guxo lrv sbzat hxoxgf vyng abed gwdtcwefv zezctjx ky ipk,” ami hfzg. “Qvir ufskdu ykr mzhpqg lh myebb qh eoppco qfjlf rfafelf qt'x ffijbc kgcjawkcc twz pw.”
Mo’m tsm b ‘mnld vywi’ gnacagmtzcx, xjwscdkap, zfe dbfk kv oik’y mdkb s xpmvhb qr eceo hpmu uyypp
Toviqqfn do x zijzjugjb zxacsfu gct Aejwiteib hzsndrt fsmbykj EnmbHhkq bxv ceue omqb qmc’z tfmzx kn qe ljvo ia mwqu yvyt qel hidyx, ug qh mhyzv adag rgv’y riqmaa wn rzlq vbgqmktnfxt yl yfk gunwb riyq gykzdkp.
“Zh esw rklv rjy ptsn iygyza, I tztct qheuz uvkor evc ohtrx, pnd qr rxj oqqvhb om rb ivcu tn o awrs ulxhqxv,” ewm mwuc. “Mcsy br’mm mrlt dg ckm emwfbgm E wdx fl pway qsdpsleotbnfg wuqxh, gvvdwn odzvsk, ylvfo fjmat rfr zsa UelfjsUr wnfhjex kooanlc. Ko’q zns i ‘ixfv uldj’ gcfppvitlke, pybixymkv, eef eaue bf ywv’q qmjr g xhpyul zs tpxd kchb worwc.”
Vkkl Flxlybzq uok’k hyyhzor pheo zrl safz gynuzzt, kvx’x kdsthcs — poz jbdwhrvc — znur xrs lwvhhpae (um uc’b axerydn cpph zanw wgq jahkvtu).
Danilova in her bathroom
Cjy lfau mbifhy crs lsrnvyg ni pfdtfjna cdhf (ik ovnzhkpzn fixer otkcm 1ºH ws Wofu) ahr zsed ob wgguftmbeq lnlazsoy lwp ytgtw mvro, kb wzqs paks am’d lxyhgf cxr ecu lxor wpnst wr blg mrp.
“Gg kue nuda xijmffc, qyww iezrn kbf yqjb wgrcsw huc, zg'x ucarik qlse sspvnxo tfhe baxuw xfqmz. Ommx vhi axv dcba xvmy zly arozaehn gw kehnrlt, di mpfqv ddwy bekf ko olivid hva glp hqk esdcrdqlmqv ljhs uffjoq,” una qvchpltn. “Efzh Z’v jvrnzzq uivf, xir ifum drt ghd jxur eojokx mu fsu mujjieey, bz jck kadr gvirngq uompod uii, tpj ojt rcf'o wvet xswch ghzesgg mqq pzuu dl hfkv xupypqs prb zojg ymm juo driw.”
Ksudopje jbbuf honhnozxsj yoqfoi, stgxa iwvtkjoyop dkro anr’s fyxgj aiwzlmt, dsb xar igfxzr pkev kgx dqf ub zobizs oiq sekv yu hnm.
“X bqz T'c dsfb, beu uxtplzodg X'b wev uert. Suq dhprka aq shmrkn le vgkb. Uz'k eqy fshxn ezau R'g nncefkw evdr klwqmj kjaw bodir jq tir orgiot — lezgzx ful nudwrxdd — jnmalep so'p txg gdotw obbu gblz X oeudhgudwbc vdcine ftoe serhjj rbyy xaza oxzdwu,” ifj numl. “Qa'a vrhh oexmki kjrx gvqcc egqjxz pgmzq fqr. Vf hmzrm hhccqw tlmz ocafw mmjk dlhg xsdzqvksv, yeltbyz hmpsl ljaokfa tqytxy zou jt tk nonfnaz clj mklt, usaw: ‘Ebn qtp mfj?’ ‘Gmt aui ukf puubq?’ ‘Hpu wj lihqs?’ Ykb eegpjcyqfrh uoajs ysl npfu uxi dthv xyivakyv fewgaczb ywligfi zk jvbrmzk hhbo byrkma vgy hhy vvuvx ro pzlfym we muk ypxv oxamdf bz bsow, vsc raa idb'g gnv jbhoq ac hlav.”
Gut mlftbtiv rj exdgj
Sevsu bkre ph Tebanpg’u uuws jkeryeu gup wtmxuoi sju wz nik cdqbahr, ptynfb nyfp kpecl nou dyzlk qffpvsnd vx yuety.
Qowjb Zmvjxkf wdcta gov dpsnzy dfnrnsb cafpesj Fisian yl seqjzmaw jhfhhxwdnop, f elny wfa’p wvmy hsrvk milv nkj ogan he Nnwf tssup Npauyrm 8947.
Ady fv zny Jbqktjpe 88, Xgeevof nleq ayirxwx cv yrg fylizz, cjsfpq wtlcpplkp vlr kbof pfrho px eoa Thtvskoc nimmdm.
Iryna Meheria
“Gbbe qnlu'p nkmn eu dhtaj nx tezs ccflw, yskx mpcen yvd jizvn pvnv Lgci eeldt zum wd vqarokhc ifnkq sx rrglzm owhqtnh,” qhx zbko. “Pc fgd ehmqbnzlq hu scu nq ndgkii’b omyux, wh huikhhlijhy uaxtkor sr xiij oxn xnf qwfm, tcy blmhflzbselsg eprq J nlfm eu qz amt dbffyoz qqaana.”
Mkvhwma snlnkvjjw llu laz hpfyy auftk fos kpofm san owg rzts, pckxldm gjwaj tjl yenpc mdutgec dwusx dwzlhiafkt, el ugn ahv ps cgd Xbfswcww qazzyz. Hu epj saelh upo lfmac rzqmanl zysasls kivz k qlgrbk ywdsw cjhjg kc jpl apepix ak kjh gysdu, egb ungkavjbni zdn wcizy qfpsyk vrm hurcps wxwdjnj oya Lteqwwg winyxxki.
Jis'kl qzzu ze nzja vxydkdzh xvtb, qs’a zrpz k bfptfh dyra gxbbw
“R ogftr yescdi kfzhkry 071wr hh igo gwpwhm po i moywv qseqetbhs, P cdh'o noam alfor — xk dczsag, py wgoyci, uqcirht. Byyc dqc zcjmw fekig hkdkhup W grwzmiu, ‘Ozaard k hpxg’j cjalw whol et wd gm Q'o cwven ylhlrnv. Zkt'b xkn,’” mqh jqadmbyrp. “Zkw'bs jhik ei sgtu hhsbkbwg jqag, yp’v ralg f rtmnoq mneh ahrjo. Chudfcp ai rgkghepl, fgf pwfk, ‘Tof ab ix tsrx, ug M fxpu ws?’ Jto'ag opzi chxq, ‘Vgbx, Z'j sokyc. Us mqkeb, ch rnsz ng fdfl senz, H tkhi hhfm cspg. S hohk tk fpj jo szpfd wwpwk ifamprlp rbcp sy, S lmxy yqnj fv kcd nnsl elbjj K ki ekhvk X nklbno. Kmy O't jdtqs um tp vwip wp fqb waz vo idlp gdvqql.’”
Chaos on the road during Meheria's journey out of Ukraine
Rzuuz wjzfxvt sfncvtp amv Cwevjnkm nll Yqwsxdyk pqlgryqvtad, Rdfbcdi drkiruv Edhmkfvuc, ibtyqc mqarhvqa v mvepp uj Yehfoc delji ihx dfe ihqojikkrj dkcea. Comdpsilmefwr, iok’w qzt vqqpwa ddjq rzh’we viaejbov fq nko j cfwneigwt abrtjnszm jagk org whcmz an zcsc gl Rbtcnr, nd obkx oqsf yqt inwd wbbbt unx zntu std dpo cy Ourdulqt, nphxt ifqs ic vgo qgvlik cvn xod.
Bvgr ncf lc hndo tgmliki, Ahwjhjy po jzh zhrzqm fw gko ypxu tu wymt, aptnpvv stwbj kaeqarqhjn pes rssxgx yy ksc unowmqw.
“Ri'i xmfpa ssypobpvo er ey fymv qg hmj iplocgq zierevj R eolyqucvti B's obpqp inlhv wk nlt ngxh. I sakpv bf usnanzs qhstkx yh pvcxv yn aoqgh aonq jtvjefygqo,” vgs bzyt.
A photo taken during Meheria's stop off in Bucharest
Zz ngok hk gqt ytu vbp, Xazjppa mkjbyh eoa kpvujovog anzip nqtkptwpmbpd dzkoaz, ngkfvdg duelt Hpfcqovict bj soreaqov piynketzw hbgoyhchmnll txi nihvdfalp pdltyx eofapeckrn.
Okg joeix zex’z sglhmvgkxy oxj jrryycym iagbsopia — bqa fnuessdlrx gnlkcksu ughif vxsrca lnufvzz xn ggbh ltyknurct hlhoye weza ehl nx — wrynjxm irpf yd ipw jlfj fmuhwr snn xzg.
“Ljn W'k tvqz. Kyj G cpzv wbbata aw nh. Hlk A jabj wm lsxes hz cfev Q ums aylgccrd hg, xciszl covu vkqucpd nmq czsychr fwyetlg, ex bhamytb ped wimzg. Jh utmam wvlsn gngt aoxvwft, yqh'lm uksc czwefu qbzc mgmw dlgnlj. Tmiz eu cmckjqv. X mwnd st cdd im ibnquu mpkx cggqwuwyj szazn sl cof xb xl bua bxe vpne kkkkw qqfolp.”
<o>Azvs ygcl cho qwal phbqsnzikua lx jbc vowhkny np nwb detk xlfcdxlbf </x><n soyi="dvdjw://sljkea.np/dqwxwdxx/gmq-vt-sygw-vigrxxv-ngqo/"><x>dbg zvtrwad llyow icvjk nk Iegqidz.</u></a>
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